马丽斩获年度影响力演员奖-Tencent 腾讯

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马丽斩获年度影响力演员奖《桑中（爰采唐矣）》原文翻译及赏析_作者诗经爰采唐矣之乡矣云谁之思美孟姜矣期我乎桑中要我乎上宫送我乎淇之上矣爰采麦矣之北矣云谁之思美孟弋矣期我乎桑中要我乎上宫送我乎淇之上矣爰采葑矣之东矣云谁之思美孟庸矣期我乎桑中要我乎上宫送我乎淇之上矣
《孟母三迁》原文翻译及赏析_作者刘向邹孟轲母号孟母其舍近墓孟子之少时嬉游为墓间之事孟母曰此非吾所以居处子乃去舍市旁其嬉游为贾人炫卖之事孟母又曰此非吾所以处吾子也复徙居学宫之旁其嬉游乃设俎豆揖让进退孟母曰真可以处居子矣遂居及孟子长学六艺卒成大儒之名君子谓孟母善以渐化
《临江仙·长爱碧兰干影》原文翻译及赏析_作者晏几道长爱碧阑干影芙蓉秋水开时脸红凝露学娇啼霞觞熏冷艳云髻袅纤枝烟雨依前时候霜丛如旧芳菲与谁同醉采香归去年花下客今似蝶分飞这是一首描写荷花的词头两句总写荷塘全景园林修筑精美池边护以阑干芙蓉开时水光花色阑干影构成了美妙的景色秋水二字既交代季节时令更说明池水的清澈以下三句好像推近了摄像镜头用特写的手法突出描绘艳丽的荷花脸红凝露学娇啼一句把盛开的花朵比喻为美女的脸颊艳红的颜色如同敷上了一层又薄又匀的胭脂而花瓣上的露珠则像是美女娇啼的泪痕显然这是拟人化的艺术手法以花拟人以人比花既写外在的形貌颜色也写内在的情感思绪是颇具匠心的以下两句仍然延续拟人手法并且进一步伸展开来黄昏时分落霞与酒杯一色薰染着荷花呈现着一片冷艳花朵在荷梗上袅袅微颤好像是凌波微步时美女的发髻上片调动多种修辞手段极力描绘荷花之美下片抒写离别之情仍然围绕着荷花而展开时届深秋烟雨风霜依旧又是采莲时候荷花已然结成莲蓬池塘经霜以后只剩下了一片枯枝败叶这景象当然不免有些萧瑟悲凉但作者把采莲称作采香却仍然保留着对荷花的一丝眷恋之情最后两句归结到深切的感叹上去年花下客今似蝶分飞时光的流逝夹带着人世的变迁追思往昔何以胜情词章虽已终结而其余韵犹在回荡
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